Several of these songs appear to have similar stock melody and instrumentation which became the signature style of Husnlal-Bhagatram. KS Bhatiaji, Thanks for taking us on a nostalgia trip. Khushiyon ke din manaye ja…Abhi to main jawan hun from Afsana , lyrics Gafil Harnalavi Generations of listeners of Radio Ceylon have been pulled by Manohar Mahajan to his weekly programme Bhoole Bisre Geet with this signature song. The later part of the s suddenly threw up a clutch of prodigiously talented composers, resulting in a few falling by the wayside. But they were among the brightest stars once upon a time. They gave music to 8 films together and several films separately. Baat takun main teri kothe chadh ke from Naach , lyrics Mulkraj Bhakri But in the same film, HB have Suraiya sing a Punjabi-style naughty song in which the lady declares she would go up the roof to wait for her beau.
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Easily, one of my favorite composers. Suraiya was the only singing star who after Partition decided to stay back in India while Noor Jehan and Khushid left for Pakistan.
Bhagatram was an ace harmonium player. I will not dare to call it a copy as Shankar was assistant to HB during those time. Looking forward to lots of contribution from Bhatiaji, Hansji, Mumbaikarji and others. Surendra and GM Durrani were still around.
Shalan, Thanks a lot for your appreciation. Aise mein agar tum aa jate kuchh tum kahte kuchh hum kahte from Baalamlyrics Qamar Jalalabadi. During the surwiya the two faces which dominated the film world with their music were Suraiya and Noor Jehan.
Suriya Bhopali (Pakistani Film Soundtrack) by A Hameed on Apple Music
The first duo Husnlal-Bhagatram 1: Mr Kelkar, Thanks a lot for your appreciation. I heard the Husnalal became alcoholic in his last days. Mohabbat ke dhokhe mein koi na aye from Badi Bahenlyrics Qamar Jalalabadi 8. Theit pictures and a good deal of material on them is available on the net. Their tune speaks of their simplicity and their heart touching melodies lingers for long long time. The rhythm surziya a standard triple metre but the notes are all over the place often off the beat.
Songss be the requisite PR touch was missing.
NAAM AAYE NA TERA PAYAR KI RUSWAI MAIN - SURAIYA BHOPALI - MEHDI HASSAN ..... Shahid Lovers Circle
Na tadapane ki ijazat hai…Koi duniya mein hamari tarah barbaad na ho from Pyar Ki Jeetlyrics Qamar Jalalabadi. Professionally, there was dignity and grace in her performance and she sang with her heart and soul enriched with the depth of feeling and warmth.
She chose to remain unmarried throughout her life and died a lonely woman on 31st January Its stunning success brought fresh laurels to Suraiya especially since she had bagged this role when other top beautiful stars of those days like Madhubala and Nargis could not make it. Khushiyon ke din manaye ja…Abhi to main jawan hun from Afsanalyrics Gafil Harnalavi.
But after s their style would not probably fit the bill and their oblivion was on the cards. Unlike Noor Jehan who turned a play-back singer in Pakistan around the same time, Suraiya gave up singing altogether ignoring many tempting offers.
Even their sad songs had a pleasant bhkpali and orchestration. Rafi-Suraiya duets HB surpassed themselves in duets.
Shahid (actor) - Wikipedia
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What I have 'mercilessly' truncated bhoali not affect the main thesis of Though playback system had entered the scene, Suraiya with her distinct individual style, her sweet seasoned voice and direct simple diction succeeded in captivating the listeners and her popularity knew no bounds. Baat takun main teri kothe chadh ke from Naachlyrics Mulkraj Bhakri But in the same film, HB have Suraiya sing a Punjabi-style naughty song in which the lady declares she would go up the roof to wait for her beau.
Some of the songs have appeared earlier on this blog, but I am sure the readers would not mind it. Khurshid who was the leading singing star earlier lost her position to them. The constructions of melodies were useful for Lata and Rafi for their career but sadly Suraiya sogns not use her success for furthering her career and we missed her golden voice which should have been there in the fifties as her rightful place.
I am sure most of these songs would be familiar to you. Na thamte hain aansoo na rukte nain naale from Meena Bazarlyrics Qamar Jalalabadi 9.
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